Vivi O Morti Criminali - Dead Or Alive Full Movie Hd 1080p

[Brittany Ostrowski]

Vivi O Morti Criminali - Dead Or Alive Full Movie Hd 1080p ->>->>->> DOWNLOAD (Mirror #1)

Original Title: Dead Or Alive

Genge: Action,Comedy,Crime,Drama,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Without a home and feeling no obligation to Japanese society or Yakuza, Ryuichi (Takeuchi Riki) and his small group decide to make their own place by trying to take over the Shinjuku underworld and the drug trade from Taiwan. As they plan an all-out-assault on the remaining Chinese and Japanese mafia kings, only Detective Jojima (Aikawa Sho) stands between them and complete domination.
In Japan, after a massacre of Japanese and Chinese gangsters, the tough and persistent Detective Jojima is in charge of the investigations, while dealing with a personal family problem. His daughter needs to be submitted to a surgery and he needs to raise twenty millions yens urgently. He finds that the Chinese descendant Ryuichi has associated to a Taiwanese drug dealer and is eliminating the competition. In the end, their confrontation becomes a personal issue for both.
Takashi Miike's entry in Halliwell's dubbed him a cult director of sex and violence movies. That they missed out the fact that he's a better director than both John Woo and Tarantino, and produces films that defy genre classification and feature inventive flourishes worthy of Almodovar is a real shame.

Although not all of his films are worth tracking down, there are some real gems in his back catalogue. Films like Blues Harp and Rainy Dog are as tender as they are tough, real humanist odes to the silent suffering of the outsider. Other Miike films, like the notorious (and excellent) Ichi the Killer, veer close enough to art-house to escape being lumped in with repulsive, misogynist trash like Last House on the Left.

Miike's Dead or Alive is a classic example of the restless creativity and experimentalism that makes Japanese cinema so admirable. Like many of his peers, Miike takes a standard tale - that of a bitter, dutiful Cop destined to clash with a ruthless, tortured Villain - and distorts it, playing with conventions and, from time to time, 'stepping out' of reality without breaking the narrative.

The story itself is a simple tale of an honest cop (played by brilliant Miike regular Sho Aikawa) who is unable to get enough money together to pay for his daughter's operation. He is frustrated, emasculated and silently furious about his predicament - he sleeps on the couch, despite his wife's protestations, and spends his free time stalking the city, eating noodles in the pleasure districts of Tokyo. When a local gang murders a yakuza, the hero is set on collision course with his alter-ego, played by Riki Takeuchi. Takeuchi's gang are hell-bent on taking over the district, and their leader doesn't care how many of his friends have to be sacrificed along the way.

The first ten minutes of DOA consist of a rapid-fire succession of jump-cuts: A naked woman clutching a bag of cocaine falls from a window. A gangster collects an automatic weapon from a market freezer. Riki Takeuchi jumps onto the roof of a car and, in plain sight of about 1000 people, blasts to death a prominent yakuza. A drug dealer is stabbed in the throat while having intimate relations with a rent boy in a squalid public toilet. A yakuza is executed by a shotgun blast to the back, sending his meal out of the exit wound in his stomach, to splatter comically over the camera-lens.... the cop identifies the dead man by the type of noodles sprayed around the crime scene.

It is hard to describe the sheer visceral energy of this opening sequence. It is superior to anything you might find in Natural Born Killers, or even Pulp Fiction. It is quite possibly the most awesome opening scene in modern film.

After this jaw-dropping high-speed spectacle, the film settles down into standard-thriller mode. There are some gruesome deaths - the fate of a stripper at the hands of a demented gangster is deliriously appalling - and a few playful denouements. It is not until the grand finale when Miike, with staggering audacity, creates another sequence to rival the opening scenes - the conclusion simply defies description.

DOA is not as mature and perfect a thriller as Takashi Ishii's GONIN, but it deserves to be hailed as a work of erratic genius. Colourful, vivid, vicious and surprising, it should go down well with any fans of Scarface, Kill Bill or Reservoir Dogs. A great introduction to Miike.

[warning: DOA2 and DOA3 are not sequels - they simply feature the same lead actors and explore similar themes] Takashi Miike had definitely cemented himself as an auteur by the time this film had come out. This film for better or worse reaffirms his status as one of the most outlandish, genuinely bonkers directors working today. Within the first minute of the film we get a crime riddled montage filled with over the top gore and violence. Featuring and not limited too a naked woman plummeting to her death with a bag of cocaine that explodes upon impact. A crazed mafia boss doing a fifteen foot line of coke, that would be more then enough to put an elephant into a catatonic shock!

What then follows is a pretty tame (by Miike's standard) Yakuza story about two gangs at war and the cops in the middle. There's not really much to say about the plot other then it was fine for what it was. However after a 'shocking' turn of events (which was fairly obvious) the film builds to a truly bizarre shoot-out between the two main characters that would make even David Lynch say WTF?!

Within the first couple of minutes the film (as with most of Miike's) the directing and editing is so outlandish you either role your eyes in derision or you jump on board for a wild ride, unfortunately I found myself in the former. I've seen three or four other movies by Miike, and I can tell you that he's one of the most exciting, versatile directors working today.
In the US an edited R-Rated version was released alongside the uncensored Unrated version.
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