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The Painted Stallion Dubbed Hindi Movie Free Download Torrent

The Painted Stallion Dubbed Hindi Movie Free Download Torrent >>> DOWNLOAD (Mirror #1)

Original Title: The Painted Stallion

Genge: Action,Adventure,Drama,Western






































The period is the 1820's and the first wagon train leaves Independence heading west to Santa Fe. In order to maintain his power, the ruthless Official at Santa Fe must not let them arrive and he sends out his men to stop them. The wagon train then has to endure repeated attacks but is aided by a mysterious rider that shoots singing arrows and rides a painted stallion.
Over the years, I found myself daydreaming about this serial from time to time. It was my introduction to the Saturday matinee habit which followed for five or six more years. Later, with the advent of VCR's I learned that a copy of this serial was available and it now occupies a spot on my videotape library shelf. I'm still of two minds as to whether the purchase was a wise or foolish move. I must admit that I did enjoy the regular dosage of suspense. These closers recalled the discussions my chums and I would have trying to resolve the hero's predicament before the next Saturday. Occasionally we would recall the two or three scenes which were added to the story but had been omitted from the end of last week's chapter. Still and all, we didn't complain and felt that our 10¢ had been very well spent. The viewing of the serial several decades later was, on the whole, a disappointment. The reason is that in 1938, I was always allowed to spend a week in suspense, sounding out my buddies' soutions and comparing them with mine. The following Saturday, of course, the solution was revealed. As for the story itself, I identified with the boy hero completely. The light-hearted comic relief was much appreciated as well and served to ease the tension of the exciting segments. The concluding chapter when "all was revealed" was always a disappointment for I had already conjured up a solution far more exciting and thrilling than the one the writers ever thought of. Of course, to a ten-year old, the budget and elaboration prohibited the use of my quite logical, but enormously expensive resolution and so I always felt somewhat let down when the final chapter appeared. Our local cineman was jammed each Saturday with screaming and howling boys and girls sitting on the edge of their seats in order not to miss a second of the serial and the clarification of the dangers our heroes faced. And all for a dime, too!! Ah, the good old days!
I always suspected that directors Ray Taylor and William Witney handled the main location unit, while Alvin J. Nietz (under his "Alan James" pseudonym) handled a second location unit that staged all the copious action and thrilling stuntwork. It seems I was right. And I was also right in guessing that Ray Taylor's contribution was rather small. Taylor was actually fired by producer J. Laurence Wickland early on for drinking on the location set and was then replaced by Witney who was at that time acting as a script supervisor and prompter. Part of Witney's duties were to rehearse the players, so he was the obvious person to select when Taylor was fired – particularly as Nietz had his hands full with all the action material. The serial, in fact, is crowded with action – which is just as well as the plot features a juvenile Kit Carson played by Sammy McKim (who appeared in no less than 62 movies, in around half of which he was uncredited). Personally, I never did take kindly to juveniles in serials. Nevertheless, despite this introduction of a juvenile Kit Carson into Chapter One, that first chapter is certainly packed with action – a judicious blend of new and stock material. Incidentally, take note of all the thick black smoke pouring from the riverboat's funnel. Health conscious, those old steamers most certainly were not!

Anyway, getting back to the early chapters of this serial, Hoot Gibson – despite his co-star billing (in much smaller print) – has very little footage. Charles King, on the other hand – despite being billed second last – has a major role. Keen fans will keep their eyes out for Lafe McKee's river boat captain. He hovers at the edge of just two or three shots and has a line or two to offer Ray Corrigan. There are so many things happening in this serial that I almost forgot to mention that fascinating singing arrow in the hands of the lovely Julia Thayer. Wow! But I did deliberately forget to mention Ed Platt and Lou Fulton's boringly inept turns as Oscar and Elmer. They are a pain, but at least their appearances are brief and I'm happy to say that despite an elaborate introduction to each episode, they often don't appear at all.

I'm not alone in my belief that the best episodes are the first five. Once the expedition reaches Santa Fe, the action melts down quite a bit. The serial is still very watchable but nowhere near as impressive as the earlier chapters, so it's no wonder the setting resumes to the rugged mountain locations for the final episodes. It's also no surprise to find the 80-minutes 1938 feature cutdown omits all the Santa Fe footage completely.

Although I enjoyed the serial very much and I'd definitely place it amongst Republic's best in this genre, I do have some reservations. Number one, it was disappointing to see Hoot Gibson in such a small role. Admittedly, he's on screen in many episodes, but he has nothing Hootish to do at all. Any actor from Central Casting could have done as well. Hoot was obviously hired on the strength of his name after the screenplay had already been written and no attempt at all has been made to insert any special material for him. Instead, Charles King – although billed second last in the entire line- up – has acres of typical Charles King lines and action. I'll admit that Ray Corrigan makes almost as little impression as does Gibson, but Corrigan never did have a strong on-screen persona. Even in his long- shot, seven seconds walk-on, Lafe McKee displays more color and character than Corrigan does for the entire movie. A weak hero has to be bolstered and this was cleverly achieved by assembling westerners like Jim Bowie, Davy Crockett and most importantly a young Kit Carson. If this had not been done, it would have enabled the villains, led by LeRoy Mason, to take center stage. I'm sure someone at Republic noticed that the initial script had problems and that explains why to balance our heroes, the lovely Julia Thayer's mysterious rider with her whistling arrows was also written into the plot. An inspired invention! My hat's also off to Alvin J. Nietz who has done wonders with his second unit. Wow! Those scenes with the wagon charging right into the camera! And the numerous running inserts… Words fail me!

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