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Original Title: Red River

Genge: Action,Adventure,Romance,Western

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

By the end of the American Civil War in 1865, Thomas Dunson has managed to carve out his dream of being a cattle rancher in Texas, he having done so largely with the help of an old cowpoke named Nadine Groot, and a young man named Matthew Garth, who Dunson unofficially adopted when he was a boy. This dream has not been without some adversity in his life, such as the situation where he met Matt when the wagon train he and Groot had accompanied for some time from St. Louis in 1851 got ambushed by Indians, with Dunson's love, Fen, one of the victims, and it not being as easy to take over the unoccupied land north of the Rio Grande in west Texas where he eventually established the ranch. The result of the war has left most in the south cash poor, including Dunson, but there being a plenitude of men, ex-soldiers, willing to work as cowboys to rebuild lives for themselves and their families. Despite the potential hazards of the task including the fact that the Indians are still ambushing unsuspecting people, Dunson is able to find a group of men willing to accompany him, Groot and Matt on a potentially lucrative cattle drive to Missouri to sell the close to ten thousand head of cattle - which includes some cattle from neighboring ranchers to be sold on consignment - to the companies operating the stockades at the end of the known railroad line. As the drive progresses, Dunson becomes increasingly alienated from the other men, including Matt, for the unyielding ways in his singlemindedness of the task, regardless of anything else. Matt's generally softer stand as opposed to Dunson's "shoot now to kill, ask questions later" mentality Dunson sees as weakness on Matt's part. The two men will have to reconcile their growing adversarial nature against the fact that they truly do love each other as father and son if they are both to survive this drive and beyond, especially as they both live by the code of not standing down from their beliefs.
Dunson leads a cattle drive, the culmination of over 14 years of work, to its destination in Missouri. But his tyrannical behavior along the way causes a mutiny, led by his adopted son.
You know the basic story from reading the plot summary. The question, of course, is what's going to happen at the end. The film skillfully builds toward its (truly) tension-filled climax. You can see various possibilities for the ending, and the script takes you one way, then another before you finally reach the real ending.

And you aren't likely to forget the finish (although it does make perfect sense).

The film has a great way of moving from scene to scene, using a written journal- shown on screen- to cover the passage of time and set up key plot points.

One other note: you're likely to look at several scenes and think about how stunning they would have looked in color (though I wouldn't advocate "colorizing" the movie).

Really a great Western, and one of John Wayne's best performances. There was a time that I ranked "The Searchers" the best Western ever made, with "Red River" occupying the runner-up slot. But the older I have become, the more I have come to believe that the ranking of the two movies must be reversed: "Red River" is the best Western ever made. What could be more American than the portrait of the West as frontier, as possibility? The frontier has always been a significant feature of American history. And so it is here: "Just over the next hill, and into the valley beyond, and we'll find that land we always have yearned for." What could be more American than the portrait of the young man-becoming-adult, taking on a task against enormous odds and succeeding? What was it that Mr. Melville, the character played by Harry Carey, Sr., said? "There's three times in a man's life when he has a right to yell at the moon: when he marries, when his children come, and... and when he finishes a job he had to be crazy to start." Yes, "Red River" presents the quintessential portrait of the American West.

No more than any other story about cowboys, horses and cattle drives. You would do better to ask if this story by Borden Chase influenced Louis L'Amour, and if L'Amour in turn influenced McMurtry. Pretty much every cattle drive story is the same except for the way the characters are developed by the writer. The characters are not at all similar.
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