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The Girl Is In Trouble Scaricare Film ->>> DOWNLOAD


Original Title: The Girl Is In Trouble

Genge: Action,Crime,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
After spending the night with a mysterious woman, a down on his luck DJ discovers evidence of a murder involving a dangerous drug dealer and a billionaire's son. Desperate for money, he must decide whether to blackmail the killer or help the girl out of escalating troubles.
The other night I caught up with "Cadillac Records". I was impressed with Columbus Short, a new name to me, and I decided to look out for his subsequent movies. After watching this mess I will stop looking.

Alicja Bachleda made her movie debut at 16 in a masterpiece. Sad she has sunk to this.

Mike Starr, who has appeared in an enormous number of movies as a heavy, either played straight or for humor, does his usual reliable job here.

I love Film Noir, and there is a good story hiding somewhere within all the confusion. Mr Onah should have handed over the direction to someone with a clue. They are not shy about promoting Spike Lee's name as one of the 17 (!) producers, executive producers and assistant producers. You would think that Lee or one of his colleagues would have had the common-sense to steer the director away from some of his more egregious errors, such as:

--- The incessant narration, on topics related and unrelated to the story in progress.

--- Awful camera-work, replete with shakes and glare.

--- The pointless flashbacks (a common feature of such low-budget would-be neo-noirs).

--- The horrible soundtrack, which made it almost impossible to follow the plot. So often these days the music (if that is what it is meant to be) drowns out the dialogue, made worse when, as here, many of the cast seem to suffer speech impediments.

I was discussing with a friend only today why so many Brit actors are now popping up in US movies, even in supporting roles as "All-American" characters. My friend thought it was because they were cheaper, but I think the main reason is because they can articulate. Method acting is great when used by a Newman or a Steiger, but downright confusing when attempted by knuckle-dragging illiterates who think it is a way to by- pass real training as actors.

I give it 4 for the sense of location and the promise in the plot. Not the lead actors' fault, they did their best. I don't suppose anyone involved will go near Onah as a director again. Maybe he can make a career as a screen-writer.

It looked like something made by a student. I see here that it was. I think a good rule-of-thumb for novice directors is to keep it simple, then add special effects and gimmicks as their skills increase with experience. Where to begin? Acting is mediocre at best.

Storyline is like something a couple of middle school kids would makeup during a lunch break.

Like the previous reviewer had stated....the monologue is excessive, boring, wanders off on ridiculous tangents....AWFUL! This movie was the most painful movie I have ever watched. I literally quit watching the movie and then later resumed it 4 times.

For a 90 minute movie it felt like 4 hours.

The movie is so boring. I can think of maybe 2 scenes that total 3 minutes where the movie actually made me turn my head to fully see the screen. Prior to that I shifted between listening with both eyes closed and then laying on my side with only one eye partially opened....it is that bad.

I really think this movie must have gotten a 5+ rating because of Spike Lee's name.

Not that Spike Lee has ever done a great movie....but the fact that Spike Lee is just a cool name.

Do yourself a favor....slide down razor blades into a pool of alcohol and skip this movie. You'll feel much better in the end. Sampled old newsreel and security-camera footage flesh out the narrative, and the film's visually arresting, but it's the performances that hold it all together.

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