The Gauntlet Movie In Hindi Dubbed Download

[Stephanie Williams]

The Gauntlet Movie In Hindi Dubbed Download ->>> DOWNLOAD

Original Title: The Gauntlet

Genge: Action,Crime,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ben Shockley is a Phoenix cop assigned to go to Las Vegas, so that he can escort a prostitute named Gus Mally who is supposed to testify in a mob trial. Shockley assumes he got the assignment because he can get the job done. But his bosses have been bought off, and the only reason he was chosen was because he is expendable and unreliable. In addition, the Mally doesn't want to go with him because she knows that going along is the equivalent of signing her own death warrant. Odds of their safe arrival are not good, and there is even a line in Vegas on whether they will make it alive. Everyone's out to get them. Traps are everywhere. So Shockley and Gus are forced to rely on instinct and ingenuity if they are going to make it to Phoenix alive.
Phoenix cop Ben Shockley is well on his way to becoming a derelict when he is assigned to transport a witness named Gus Mally from Vegas. Mally turns out to be a belligerent prostitute with mob ties and incriminating information regarding a high-placed figure. Shockley's suspicions are aroused and the betting line against Mally testifying begins to climb when the transport vehicle is bombed and Mally's house is literally shot to pieces. The pair must face the truth about those they trust, as well as their own inner strengths, as they fight their way to Phoenix, finally using an armored bus to run a gauntlet of hundreds of police armed with high-powered weaponry.
The entire police forces from two separate states come out to fire thousands of gun shots at a dimwitted, but well intentioned cop and a college educated, hyperactive hooker because said hooker is going to testify in court that she saw the new police commissioner masturbating. And it gets better.

What do you do when every gangster and peace officer in Arizona and Las Vegas have orders to shoot you on site? First, of course, you increase your list of enemies by unnecessarily agitating a gang of fifty large bikers, then you hijack a bus in broad daylight and spend a half hour unloading luggage, at gunpoint, in full view of hundreds of people, then you provide the people who want to kill you with a written trip syllabus so they know when and where to expect you, and then you drive your bus right into the six hundred cops who are firing non-stop machine guns at you.

And it still gets better. After spending ten minutes firing thousands of shots at a fellow officer and his courtesan friend, on the orders of the new, clearly psychotic commissioner, six hundred heavily armed cops stand and watch, without blinking, as said commissioner is gunned down in the middle of the street by said hooker. And of course, after having more shots fired at them than the population of Iraq, our hapless hero and his hardy harlot humbly hobble away, relatively unscathed.

When Joel Mcrea and Veronica Lake chased a freight train, it defined movie magic. When Charles Grodin and Bobby De Niro chased a freight train, it was a moment to treasure. When Sandra Locke and Clint Eastwood chased a freight train, you might as well have been watching a bad Heckle and Jeckle cartoon. Comparing THE GAUNTLET to past and future Eastwood directorial efforts, like PLAY MISTY FOR ME, MYSTIC RIVER, and UNFORGIVEN is like saying THE GODFATHER in the same breath as GIGLI. A modern fable from Eastwood wherein Prince Charming is now a washed-up alcoholic cop with a bad case of burn-out and the Princess in peril is a foul-mouthed, skinny, smart-ass white hooker. The dragons, demons and villains much in need of slaying are bikers, crooked cops and pursuit helicopters.

Always an artist with a rare nerve for taking a risk, Eastwood experiments here with a movie that takes the cop action/drama genre and cross breeds it with an urban fairy tale of fantastical proportions. Intended essentially as a piece of slick entertainment rather than a gritty, realistic message movie to be taken seriously, The Gauntlet just about works it's mojo on the level it is pitched at.

Obviously, no one could realistically survive the sustained hail of bullets that Eastwood and Locke do throughout it's running time and no law enforcement agency in the civilised world would be allowed to dispense such apocalyptic firestorms at just two people.

If you accept that this film is, at its core, a shadowy cop fantasy flick rather than a neo-realistic expose of, say, police corruption, then you may get a fair deal of enjoyment out of it. If you can't, then you probably won't.

Admittedly, it isn't the most satisfactory of Clint's efforts, it has to be said, yet definitely worth a look for the fans and those willing to suspend disbelief. Quite a lot of disbelief. The well paced script is an effective mixture of worldliness and naïveté: despite the couple's graphic sparring scenes, in which Eastwood more than meets his match, their relationship remains curiously innocent; a kind of fugitive romanticism pervades.

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