Superman II: The Richard Donner Cut Telugu Full Movie Download

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Superman II: The Richard Donner Cut Telugu Full Movie Download ->>> DOWNLOAD

Original Title: Superman II: The Richard Donner Cut

Genge: Action,Adventure,Romance,Sci-Fi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the benevolent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that they learn of the three Kryptonians and how Lex Luthor has joined forces with them. Now, Superman must reverse the irreversible and regain his powers in order to save mankind.
Superman agrees to sacrifice his powers to start a relationship with Lois Lane, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.
Superman II was Superman Trouble. I will spare the sordid details as they can be read in my "Superman II" review on the Lester version boards. But let's just say that if you really want something bad enough, it can and might happen. Such is the case with this new, and most say, REAL version of Superman II. After many years, and even more letters, Warner Brothers finally financed a Donner recut of Superman II. But as has been stated before - the two films are both incomplete, and one will never actually see what Donner's version will ever really be. However, with this new cut, we as an audience can finally see what Donner had intended, and conceived.

"Superman II" begins with sparing no expense, or exposition. We see the action start right away, with such rumored scenes as Lois jumping out of the window, longer Lex Luthor prison scenes, and finally, the scenes with Marlon Brando which were long thought a rumor. Also seen are the full fortress finale, the full Donner interiors to the Daily Planet, and the screen tests for both Reeve and Kidder that were ingeniously edited together to create a scene in itself. These are great new scenes, with the soft Geoffrey Unsworth lighting, John Barry production design, and gorgeous Margot Kidder, and of course, Donner direction that give off the feel that the first film had. The print really shines, and the Donner footage is exactly what fans had hoped for.

The writing is better too, better dialog, better pacing, and no Lester humor. The Metroplois battle is harsher, the way Lois finds out Superman's identity is more clever (you can see why Margot was cast, her screen test inter-cut with Reeve's plays well as an actual scene) and the finale is pithy and in your face. It has been years and years coming, and I Feel we are now given the Superman II that we wanted.

There are a few quibbles. The editing. Michael Thau had some great ideas, but he jumps around every take it seems ever shot and never sticks with one. While it is great to see fresh new takes of favorite scenes, it is frustrating that some dialog has been lost, that was once seen on network television. The editing appears choppy in some scenes as well. We don't get a good enough look at some shots due to this. The Music. It is used rather effective in some scenes, better than the Theatrical version, and then in some scenes, it is not so effective. But these shouldn't really make a difference to the general audiences, only to the devotees like me who knew about this version years in advance.

Despite those small shortcomings, the film will grow on you. I have learned to accept the film, editing and musical differences for what they are: Donner's intention. Remember the Donner scenes presented theatrically were done so by Lester's crew, so everything in this film is how Donner would have done his version. An acquired taste of a new way to look at this classic film. It works. As many of us new it would. It really works. While I remember enjoying Superman II when I was a young teen in 1981 and the way Richard Lester directed most of it, I was a little ecstatic to finally see this Richard Donner cut or what most of his version might have been. Certainly the way Margot Kidder was figuring out Clark Kent's true identity in this version was way more believable here with the way she kept edging on Christopher Reeve's character constantly after drawing a suit on Supes' picture in the Daily Planet than the one in Lester's cut when she suddenly had an epiphany after just seeing him without his glasses. And seeing Marlon Brando here as Jor-El was better use than seeing Susannah York as Lara in the previous one. I think I would've preferred seeing Lois continue to deal with her knowing Superman's secret identity than use that "turn back time spinning the world" crap again. That certainly makes Clark's revenge against that bully less satisfying. I also remember the ABC network version that had some deleted scenes that were included in that version such as Gene Hackman's Lex getting arrested at the Fortress of Solutude instead of just being left there by Lois and Superman or Clark the next day at the Daily Planet bumping into a man who tells him to "try sleeping a little bit more, buster!" that are in the Deleted Scenes section of this disc and one more scene of a boy riding a horse getting killed by Ursa as she throws something at him as she says, "He'll never be a man!" that isn't. The first two slows the movie somewhat but the last one defines how evil the villains really are. Oh, and as a "Cheers" and James Bond fan, I was pleasantly surprised to see John Ratzenberger as a NASA operator and Clifton James as a sheriff (probably the same one from Live and Let Die and The Man with the Golden Gun!). So for the most part, I loved Superman II: The Richard Donner Cut. P.S. One more interesting note between the Donner and Lester versions: In the previous one, Lois sleeps with Superman after he becomes normal while in this one Superman does it with her before that.

There have been multiple reasons given over the years as to why Richard Donner was fired and replaced with Richard Lester by the Salkinds, among those reasons - depending on which party you're listening to - being that Donner had been at odds with the Salkinds over the tone of each film and he was not getting along with Pierre Spengler, a long time friend and frequent collaborator of the Salkinds, and that the Salkinds decided that they weren't happy with some of the original footage but could not agree with Donner on the budget for them.

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