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Shooting High Full Movie In Hindi 720p >>> http://urllio.com/r1wfk


Original Title: Shooting High

Genge: Action,Comedy,Music,Western

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A movie company making a film about a famous sheriff hires his grandson as a stand-in for the lead. The grandson's friend scares the actor out of town so he can get the role.
Jane is trying to get Will Carson and Marjorie Pritchard together even though the Carson Pritchard feud is still being fought. The feud is interrupted when a motion picture company arrives to make a picture about Will's grandfather. Jane gets the star to leave town so Will can have the part. But in the big bank robbery scene, unknown to Will, three masked outlaws have replaced the actors and the robbery is real.
If you were attentive when the picture opened you would have noticed this was a Twentieth Century Fox film whereas Gene Autry was under contract to Republic Pictures. Having been loaned out to Fox goes a long way to explain how Jane Withers got top billing here even though most viewers would probably consider it an Autry flick. However when you get right down to it, Withers got most of the screen time and her high energy performance as young Jane Pritchard overshadowed just about everyone else in the cast, including Gene.

There's another thing about Withers' character, she was probably the most level headed person in Carson Corners, always trying to find a way to patch things up between the Pritchard's and the Carson's, a long running feud that began in the days of Will Carson's (Autry) granddad, Wild Bill Carson. When Signet Pictures arrives in town looking to produce a film about the town's namesake, Jane finds herself an intermediary to a whole host of competing forces, with her main goal of getting sister Margy (Marjorie Weaver) finally married to Will Carson.

Since this wasn't a Republic film Gene doesn't have any of his usual sidekicks around for comedy relief like Smiley Burnette, or other regulars like Gail Davis or Mary Lee. But the folks at Fox Studios allowed for a fair number of tunes like 'Wanderers of the Wasteland', 'Little Shanty of Dreams', 'Only One Love in a Lifetime' and 'This Little Old Band of Gold'. The romance angle between Margy and Will plays out successfully following a real bank holdup that replaces the movie script, and young Jane couldn't be happier.

Republic must have liked the idea of involving Gene in a film utilizing a movie studio angle because they came up with a couple themselves. There was 1941's "Down Mexico Way" and "Sioux City Sue" in 1946. Probably the biggest surprise for me coming out of the picture was when I looked up Jane Withers' other credits. I knew she looked somewhat familiar but you could have knocked me over with a feather with this one - if you were around in the mid-Sixties and watching nightly TV, you probably saw her just about every night pitching Comet Cleanser as Josephine the Plumber! As I write this she's still alive and will be ninety years old in a couple of weeks - God bless her. Calling this an Autry Western is a bit of a stretch. Gene's in it, but his part is overshadowed by an over-emoting Jane Withers whose boisterous personality is, I think, a matter of taste. Then too, you may need a score card to keep up with the meandering plot that mixes a family feud with a town's survival with a love triangle with a movie shoot, and finally with real bank robbers. If this sounds complicated, it is, but despite the mix, the results are still pretty entertaining. The opening Autry-Withers duet "Wanderers" is delightful. Too bad we don't see more of Charles Middleton (Flash Gordon's Ming the Merciless) whose graveyard voice and Grim Reaper looks always made me cover my little-kid eyes back in matinée days.

This was a big studio production, Twentieth-Century Fox, which probably accounts for the odd mix, especially a cast that includes familiar Western types like Tom London and Eddie Acuff, but also city dudes like Jack Carson and Robert Lowery. For viewers interested in seeing how horse operas were filmed, this is an opportunity. Carson plays a fast-talking movie producer come to town to shoot an oater based on the town's most famous cowboy citizen. The behind-the-scenes look is fascinating and I'm sure the crew got a kick out of filming "a movie within a movie". But there's not much hard riding or fast shooting, so for fans of more conventional B-Westerns, this one may be a "skip it".

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