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Original Title: Next

Genge: Action,Sci-Fi,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Las Vegas magician who can see into the future is pursued by FBI agents seeking to use his abilities to prevent a nuclear terrorist attack.
Las Vegas showroom magician Cris Johnson has a secret which torments him: he can see a few minutes into the future. Sick of the examinations he underwent as a child and the interest of the government and medical establishment in his power, he lies low under an assumed name in Vegas, performing cheap tricks and living off small-time gambling "winnings." But when a terrorist group threatens to detonate a nuclear device in Los Angeles, government agent Callie Ferris must use all her wiles to capture Cris and convince him to help her stop the cataclysm.
I knew going into Next that it probably wouldn't be totally similar to Philp k. Dick's original short story the Golden Man (matter of fact after checking out the synopsis of the story in comparison with the final product here they're only similar in that they both have characters who can see into the future and may or may not be under the control of the government), yet what remains here is an intriguing premise squandered mostly by someone who's more of a by-the-books Hollywood director, Lee Tamahori, who tries too much to make Next a conventional a thriller as possible almost in spite of its awesomely bad-movie tendencies. Nicolas Cage plays the title character, a magician in Vegas named Frank Cadillac (named after two of his favorite things, Frankenstein and Cadillacs, a rather ludicrous explanation but why not), and who just wants to stay under the radar, even as he's fully aware of his own special gift: he can see approximately two minutes into his own future, what is directly around him at the time, and can stop it almost in spite of the fact that merely looking at it changes it in a way.

There's two story lines competing for attention here, one is something that was probably on the leftover counter of the 80s action-thriller picture where the US government will stop at nothing to squash dirty Russian terrorists with no real demands except to set off nuclear madness. The other is the romantic sidebar with Cage and Jessica Biel, whom he gets involved with in a strange way in that he's seen her in the future long before other events; at first she just finds him odd, then when the news is broken to him she has to re-think things, though of course not for long. Unlike other Dick adaptations, this one doesn't take place in the future, however it limits more of the possibilities for the science-fiction subversion for heavily gun-toting, high-flying chase and battle sequences that are just marginally satisfying and usually just this side of, well, bland. What does make it sort of watchable though is Cage, who has that "determined" look on his face, and is only expressive enough as time will allow (one scene where he does get into some expression is ironic since his eyes are opened wide ala Clockwork Orange to test for the government what he can see).

Other possibilities from the original text are left out in lieu of decisions in the script and the direction that do, however, carry along many unintentionally entertaining aspect (or maybe intentional, who knows with the motley crew of writers they've assembled for the screenplay). Certain lines are hilarious in just how they can be uttered seriously in a movie (i.e. Biel and Cage in bed, sleepily she says "Maybe there is such a thing as destiny"), or in little twists that Frank makes as he always is one step ahead of what will happen, like in the pick-up scene in the diner, or, more uproariously funny (at least to me), when he splits up into multiple versions of the same character during the climactic cat & mouse game in the bowels of the boat (yes, multiple versions, as we see him cheat every scenario that he could possibly enter). There's even something sudden and exciting about seeing situations, albeit not to be, where the hero fails and the girl dies in a big bang. But even the possibilities here of this being a follow-up in a sense to Cage's previous starring vehicle, Ghost Rider, in making this a guilty pleasure, get squashed because, frankly, Tamahori is satisfied with just staying square enough with little rip-off moments (intro to Vegas via Ocean's Eleven), bland action (surprising coming from Julianne Moore), and a somewhat tepid romance between Biel and Cage. The use of visual effects is also a little deterring.

But to say that it's neither a very good movie or a very bad movie is besides the point. Next is an example of run-of-the-mill theatrics with more involving underlying elements, of questions raised about the responsibility of a person with clairvoyance to the public and those closest to him, and the more cheesy bits of braggadocio, not being paid more attention than the usual mainstream aims. A shame, though it might get a few minutes of viewing time by me when it pops up on cable. We got to see an Early screening of Next on Wednesday night. I do not want to spoil it, so i will be brief,

except to say that it was great! Most of the people in the theater

seemed to enjoy it. It was adventurous, funny at times,

and Jessica Biel gave a great, very natural performance. Some of the scenery was very pretty. It has a fantastic ending. WE liked it very much, it is a definite go see film. Nicolas Cage was excellent in his role as Cris Johnson. He did a great job in his performance. It was interesting to see Alice Kim his wife playing a very small role in the film. She did a good job and seemed to be having a good time doing it. Julianne Moore is great as usual. All in all a very entertaining film. Wildly ridiculous and thoroughly entertaining thriller.
The Golden Man a lot but the 2 main differences is that the book is set in a post-Apocalyptic america and the enemies are mutants not terrorists

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