Damage In Hindi Download

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Damage In Hindi Download >>> DOWNLOAD (Mirror #1)

Original Title: Damage

Genge: Action,Drama

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

An ex-con battles it out in the cage to pay for the operation that would save the daughter of his victim. Along the way he finds fatherly love, and friendship, in the most unlikely of places.
Why Excellent? Matrix-level (but very different) action movie. A rough, "theoretically sophisticated" action movie with an amazingly clear ethical and metaphysical dimension. On the action movie: conforming to Yin-Yang principles, use of Chin Na in a symbolic place, fighters with specific styles, brilliant reverberation of the first fight, and all this in rough, bloody street-fight, with sheer determinations and blocks of energy testing each other, at a point brilliantly nodding to Rodrigez. And all this in an amazingly clear ethical setting. Imagine that there is a man, who could be any of us. We could be this man if we believe that we have committed anything wrong. And he is forgiven. This is where the film starts. And the film is about the effects of doing everything morally correctly and responsibly. As a catalyst or alchemical amalgam this person doing the right cuts through a world not by destroying it but by forcing everyone else (i.e. all the non-fighters) to do morally right decisions. He is teaching all, like Jesus. Silently, without a word. And at the same time with all fighters he behaves as perfect gentleman - or warrior, always yielding a little, letting them show how far they go, and then adjusting the "teaching" load. Perfect for both East and West. For both believers and atheists. This amazing clarity is also true in my opinion of the filming style, and smooth transitions between levels of narrative and layers of the human psyche. The most mature action movie I have ever seen. Danny the Dog and Ong Bak Enlightened, in a guy heavier than the two of them together.
There's a workable story hiding in there somewhere, but it's mostly obscured by mind-numbingly cheap fights, a clichéd soundtrack and general DTV feel.

Stone Cold Steve Austin is John Brickner, a recently paroled ex-con. He is aided by Veronica (Lynda Boyd), the widow of the man John was imprisoned for killing. However, Veronica's help is not motivated by forgiveness or understanding, but rather by a need to have John help her with her own desperate agenda.

Needing money and fast, John befriends underground fight agent Reno (Walton Goggins) and his girlfriend Frankie (Laura Vandervoort). Together they enter a fight circuit hoping that the rewards of victory will solve their respective dilemmas.

The acting in "Damage" is sub-par. Here I don't evaluate Steve Austin because you aren't expecting much. Laura Vandervoort is a little bit of eye candy, but her character seems more interested in appearing scene than actually helping her man out. Walton Goggins is too old for his role and is very inconsistent. Sometimes he's convincing, sometimes very dry --- but you can never put a finger on what his character really values. Instead of helping his woman, his character seems to gamble all his spare dollars away.

Thematically the film is a Christian tract with an "original sin" subtext. Necessarily, this leads to a class warfare view of social relationships whereby everyone is either portrayed as a "master" or a "slave" due to their debts --- moral, economic or otherwise. By consequence this perpetuates the bromides that money = root of all evil, and happiness consists of a duty ethic.

And oh yeah, rich whitey is behind it all.

Many action film fans are willing to overlook genre clichés if the film has exciting fights, like in "X-Men Origins: Wolverine". But the fights in "Damage" consist of unrealistic blood splatter and mindless repetition, so it's doubtful that even the action buffs will be satisfied. Steve Austin only throws hay-makers (which rarely appear to connect),and his primary fighting attribute seems to be that he is "Stone Cold", i.e., takes a beating without getting knocked out.

The "final fight" of the film hearkens back to the cheese of mid-80's action flicks, but without the enjoyable payoff. Captive audiences should not be made to endure such a ruthless conglomeration of "YOU CAN DO IT!" aerobic workout music and extreme body greasing. It's not 1986 anymore, and there's just no excuse for direction of this kind.

The whole film is summed up by the homophobic hug given at the end:

Weak.
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