Ant-Man Full Movie Hd Download

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Original Title: Ant-Man

Genge: Action,Adventure,Comedy,Crime,Sci-Fi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In 1989, the scientist Dr. Hank Pym quits working for the S.H.I.E.L.D. when he discovers that they have unsuccessfully tried to replicate his shrinking technology named Ant-Man that he considers too dangerous for mankind. In the present days, Dr. Pym was forced by his daughter Hope van Dyne and his former protégé Darren Cross to leave his company Pym Technologies to them. Further, he finds that Darren is developing his own shrinking technology named Yellowjacket. Meanwhile, the small-time criminal Scott Lang is released from prison and welcomed by his former cell mate Luis that wants him to participate in a heist. However Scott wants to find an honest job to take care of his beloved daughter Cassie that lives with his estranged wife Maggie and her future husband Detective Paxton. However his criminal record does not give a chance to him and he accepts to participate in the heist of the house of a millionaire. He finds only a special suit in the safe and he is arrested again by the police. Soon he learns that he is part of the scheme plotted by Dr. Pym and Hope to make him a superhero wearing the suit and save the world destroying the Yellowjacket. Without any alternative, Scott is trained by Dr. Pym and Hope in the beginning of an incredible adventure.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
I'm a massive fan of the Marvel Universe and have been so impressed with all the films thus far, but this one didn't really appeal to me as much when it came out. How wrong was I?!

I've just recently seen the newest Captain America: Civil War - if you've not seen it yet then delay no further because its an awesome film - and wanted to get myself up to date on the backstory of the only other Marvel film I hadn't yet seen. I went in with mild expectations, I mean how could a film about a superhero ant be awesome? But I was pleasantly surprised.

The film incorporated an excellent mix of wonderful visuals, a fantastic origin story and the usual (awesome) Marvel humor to make for an enjoyable watch. Don't get me wrong, this one is (even more than the others) targeted at kids but don't let it put you off. Even if you're not a kid anymore, you'll still find yourself glued to the screen. The last entry to the second phase of the MCU. This has a sort of inverse problem compared to Ultron, which was dark and sleek and threatened to end the world but had one liners leaking out like no tomorrow. This is a much smaller scaled movie and the humour is allowed to be fresh because we are only just being introduced to these characters and the stakes aren't that high anyway. Sometimes it works, sometimes it's ridiculously jarring.

Michael Peña is Luis, Scott's Mexican jailmate, who carries an infectious enthusiasm and spends much of the film with a big childish grin on his face as if he's the only one aware that he is living out a Marvel comic-book. His best moments are characterised by these multi-layered flashbacks where he details the dodgy sources of his tips, and where each encounter's edits are accompanied by a loud whoosh like a sitcom cutting to a different scene, and his lovable bumbling voice-over perfectly matches with the larger than life characters in his ludicrous story. The camera zooms eagerly into these little recreations and we are immediately keyed into how unreliable Luis is, but just how much he wants to help. Less effective are the other two wombats. One cannot even be dubbed a black stereotype for how shallow his character is; he provides a distraction by momentarily taking a police car on a joyride and does seldom else. The other is the textbook computer whiz combined with Russian mobster, whose accent is much thicker than need be and mumbles out heist phrases whilst having a grammar crisis. And there's Hope, the partly estranged daughter whom harbours tension and resentment solely because of a secret that needs to be revealed midway through for plot reasons.

She features in one of the worse training montages I have ever seen in a movie. We first get repetition of a small but simple task, which is met with comedic failure, familiar as always. Then there is a need to learn how to punch, which somehow means martial arts with Hope. Why isn't there another way of demonstrating strength in a female character apart from some head-scissors hurricana takedown? In the midst of it we get a jarring insert of plot, where a sly mention of the deceased mother and wife is slipped in, to grins (yes, really). Right after is a more sentimental moment, where Hank Pym warns of the dangers of going sub-atomic (it's better that they don't try to explain it), but of course that is met with tonal whiplash from the cheerful Scott. He later does the same thing as father and daughter reunite and embrace, and this is comedy for the sake of it, except it is not funny, just awkward and forced. And finally we have the ultimate test of...willpower, which seems to be the abstract source behind controlling the ants. As long as Rudd squints his eyes and concentrates hard enough, the task can be done. Is this an anime?

Even amongst a see-sawing tone, there are action sequences that are quite thrilling. The deft balance of macro and life size means that each sensation in the Ant-Man suit is heightened to its fullest. It would be easy to fill the first sequence with many slow motion gigantic objects and people about to crush him, but there are also plenty of shots away from his POV which do a much better job of demonstrating his tiny figure; the tilt-shift selective focus enhances his profile through a crowd of feet in a nightclub, on a spinning record, in a grimy bathtub, on a carpet that seems like a surface inside a toy house. The sound design is also excellent in portraying this; the crashing boom of a huge belt buckle, a tap stream turned into a tsunami, the little dink as he bounces down a pipe and onto the roof of a taxi, barely making a scratch. Later, we have these clever cuts that provide both comedy and context, as we shift worlds. They battle amongst floating giant lolly wrappers, phones and keys, as The Cure's Disintegration blasts and buzzes depending on whether we are inside or outside of the briefcase, before a very frank shot of a simple object falling into the pool. This is later again used as the fury of the battle is contrasted with Cassie's POV of tiny little lasers and little flies buzzing around, and the sound of entire train carriages exploding and the menacing whistle cuts to a dink as Thomas the Tank Engine toys topple over.

It's unfortunate that the main villain is once again disappointing as per Marvel. All throughout we get Cross and Hank verbally battling and clashing egos, and we sense a deeper motive here, but there is almost nothing to go on, zero subtext to interpret. Stoll's performance is very much mechanically generic, playing the usual mad scientist who feels wronged and has to take back what he feels is rightfully his. But his speech is casual, and his threats shallow, and so there is no build-up or moment where he becomes the vengeful Yellowjacket. Douglas murmurs about a younger him, brasher, bolder, more arrogant, but this does not exist anywhere but in the words of the script, or in Cross. Sure, the costume design is sleek and frightening and well animated as a Marvel blockbuster should have, but there is only so much it can do. The best performance therefore must go to the child actress playing Cassie. Unlike her mother and step-father who reek of lazy writing, her character is simple, innocent and displays the most authentic emotions out of the entire cast. Does it really matter if Scott plot-devices his way out of the climax? She makes it worthwhile to sit through and root for Ant-Man. Size may not matter in this diminutive story, but the film's slight, disposable quality hardly qualifies it as an essential tale to astonish.
Ant-Man is based on the Marvel comic book of the same name created by Stan Lee, Jack Kirby and Larry Lieber.Yes, all Marvel Studios films made from 2008 onward are part of a single universe, one of the many parallel story arcs set in the Marvel Cinematic Universe (MCU). The original Ant-Man, Henry Pym, was a long-time member of the Avengers, under the names Giant-Man, Goliath, and Yellowjacket. Scott Lang was the second person to don the mantel of Ant-Man and was also a member of the Avengers. This film actually marks the final entry in Marvel's Phase Two and sets up(2016)—the third MCU Captain America movie—which starts Phase Three. Both Hank Pym and Scott Lang will be in the film. Edgar Wright stated that an early draft of the script included Pym being the Ant-Man of the 1960s and Lang being the Ant-Man of the 2010s. Scott Lang is the second person to don the Ant-Man helmet after Dr. Hank Pym. Lang, a burglar, completed his abandoned electrical engineering degree while in prison and was quickly hired by Stark Industries. Left with no choice, he returned to his old trade to save the life of his sick daughter, Cassie. He stole the Ant-Man helmet and used it to free the only scientist that could cure Cassie's illness. Lang returned the helmet to Pym, who agreed to train him as the new Ant-Man. Lang was created by David Michelinie (creator of Venom and writer of the "Demon in a Bottle" storyline in the Iron Man comics) and artist John Byrne. He first appeared in the comic books The Avengers #181 (March 1979) and Marvel Premiere #47 (April 1979). In the film, he is a skilled thief and was released from prison during the first act. Dr. Pym was looking for a protégé to take up the Ant-Man mantle, and tricked Scott Lang into stealing the suit after studying him for a few months. Pym then offers Lang a job involving a heist and agrees to train him to become the new Ant-Man. Yes, there is both a mid-credits scene and a post-credits scene. The mid-credits scene features certain main characters returning and teasing the future roles they'll play, and the stinger after the credits is a huge scene that includes even more key characters and sets up Captain America: Civil War. You can read more details here and here.Stan Lee can be seen towards the end of the movie as a bartender when Luis is telling a story about how Falcon is looking for the Ant-Man. After sounding the alarm to evacuate the building, the protocol would most likely involve transferring the Yellowjacket out of the building as well. How the protagonists plan to prevent security from staying in the building to continue searching for the missing Yellowjacket before the bombs go off is left unexplored due to Darren altering the situation. This may have to do with the fact that weight (how "heavy" or "light" something is) and mass are not the same thing. As IMDb user Its_A_Frog explained back in August 2016:

Weight is the interaction of mass with gravity, and we don't know how gravity works in a mechanical way. Particles don't even have solidity, they are energy.

For all we know, changing the volume covered by an atom might affect its weight while retaining the same mass, just like how expanding a sail will alter its interaction with wind, or how a metal boat will float on water but a chunk of metal of the same mass will sink to the bottom.

So, the movie being the science fiction story that it is (and one part of a fantasy universe), the mechanism in play basically alters the weights (or gravitational effects of) sized-changed objects without destroying them or otherwise enhancing or degrading their respective structural integrities as a matter of their densities being altered. It's worth noting, however, that there are some inconsistencies concerning the impacts that shrunken Ant-Man can make upon various objects as though his weight was completely unaffected by shrinking, and at least one of these corresponds with a continuity error.

The comic books contain more or alternative ideas about how the nature of mechanism—and the movie's rendition of Hank Pym might be holding back the details for whatever reason—as IMDb user haxemon explained:

But in the comics, the Pym particle actually shifts matter from one dimension into another as part of the shrinking/growing process. So if Hank/Scott wants to punch hard as ant-size he keeps most of the matter and just shrinks. If he wants to walk along an ant bridge he shifts the matter while he shrinks.

Hank is intentionally vague if not outright full of crap when he describes how it works even to Hope and Scott. So you can't take the "shrinks the space between molecules" bit as a complete or even accurate explanation of the "science".

But it's clearly one of the more "astonishing" ideas for a super power in the comics in terms of making plausible science. So I think they were clever to basically present it as Hank is the only one who really knows how it works and he's not interested in sharing.

Which also sort of presents the idea that Ant-Man suit provides a level of control to the wearer over the gravitational effects of his or her body, not had by objects otherwise altered in size like the various vehicles disguised as toys that appear throughout the movie. This leads to another point, that few or no objects were enlarged from their original sizes, but re-enlarged after having been shrunken. Perhaps, unlike with the scaling smaller process, objects that are scaled larger from default do not exhibit greater weight from default, or do but in a way that is less than proportionally greater. However, the next movie, Captain America: Civil War, does not seem to reflect such an idea, as a certain object is scaled-up by about a factor of ten and seems proportionally heavier. How this can be is thus far a mystery, apart from acknowledging that enlarging necessarily involves collection of "energy" unlike miniaturizing. Beast Busters full movie download
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